{"title":"NEW ARRIVALS","description":"\u003cp\u003eDiscover the latest in \u003ca href=\"https:\/\/orahjewels.com\/\"\u003ehandcrafted elegance\u003c\/a\u003e with our \u003cstrong data-end=\"297\" data-start=\"281\"\u003eNew Arrivals\u003c\/strong\u003e collection at Orah Jewels and Crafts. \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eEach piece is a testament to Pakistan's rich artisanal heritage, blending traditional craftsmanship with contemporary design.\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eFrom intricately designed silver and brass \u003ca href=\"https:\/\/orahjewels.com\/collections\/jewelry\"\u003ejewelry\u003c\/a\u003e to bespoke home décor items, our new collection showcases the finest in local artistry.\u003c\/span\u003e \u003cspan class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"\u003eAdorned with natural gemstones like lapis lazuli, amethyst, aventurine, citrine, and topaz, these creations are perfect for those seeking unique, meaningful gifts or personal treasures.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"tourmaline-earring","title":"Watermelon Tourmaline and Topaz Silver Earrings","description":"\u003cp\u003eFrom the \u003cstrong\u003eSunheri Shaam\u003c\/strong\u003e collection by \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e, these earrings set natural \u003cstrong\u003ewatermelon tourmaline\u003c\/strong\u003e alongside \u003cstrong\u003ewhite topaz\u003c\/strong\u003e in sterling silver with a 24k gold plate finish. Watermelon tourmaline is one of the more visually distinct stones in the gemstone world: a single crystal that carries two colors simultaneously, its pink interior transitioning to green at the outer zone, the cross section resembling the flesh and rind of a watermelon. The pairing with white topaz and gold plate produces a composition that is warm, layered, and unusual in equal measure.\u003c\/p\u003e\u003cp\u003eTourmaline grows as a trigonal crystal in pegmatite rock formations, and its color is determined by trace elements absorbed during crystal growth. In watermelon tourmaline, the shift from pink to green within one crystal occurs when the chemical environment of the host rock changes during the growth period, producing a color zoning that runs parallel to the crystal axis. The pink center is colored by manganese, the green outer zone by iron: both elements present in the same crystal at different stages of formation. \u003cstrong\u003eWatermelon tourmaline\u003c\/strong\u003e specimens of sufficient quality to cut and set are rare relative to single color tourmaline, which accounts for their significance as collector and heirloom pieces. The \u003cstrong\u003ewhite topaz\u003c\/strong\u003e accent stones are sourced from \u003cstrong\u003eSkardu Valley\u003c\/strong\u003e in Gilgit-Baltistan, Pakistan, where high altitude pegmatite deposits produce topaz with strong clarity and a high refractive index that creates clean light return around the central tourmaline.\u003c\/p\u003e\u003cp\u003eThe earrings are set in sterling silver with a 24k gold plate that bridges the warmth of the pink tourmaline zone and the cool clarity of the topaz. Each stone is individually set in a prong configuration that holds the gem securely while keeping the face open to light. At 0.8 inches, the earrings sit at the lobe with minimal drop, presenting both stones directly without length or movement. The scale is suited to daily wear and reads as precise rather than understated.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e facility in \u003cstrong\u003eLahore\u003c\/strong\u003e. \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e sources its watermelon tourmaline through a direct gemstone supply network and its topaz from Skardu Valley, selecting stones by color zoning clarity and crystal quality before cutting and setting in Lahore. One pair.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStones:\u003c\/strong\u003e Natural Watermelon Tourmaline and White Topaz (Skardu Valley, Gilgit-Baltistan)\u003cbr\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e Sterling Silver with 24k Gold Plate\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 0.8\"\u003cbr\u003e\u003cstrong\u003eCollection:\u003c\/strong\u003e Sunheri Shaam\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"Default Title","offer_id":47783992525042,"sku":"MT-SL-ER-329","price":40000.0,"currency_code":"PKR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A0376copy.jpg?v=1760084691"},{"product_id":"saahil","title":"Saahil - Brass Drop Earrings","description":"\u003cp\u003eFrom the \u003cstrong\u003eTere Ishq Nachaya\u003c\/strong\u003e collection by \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e, Saahil is a pair of brass drop earrings whose form is drawn from the calligraphic script of the words tere ishq, meaning your love in Urdu. The body of each earring traces the sweep and descent of the letterforms, so the shape carries meaning that is structural rather than incidental. At 1.4 inches, the drop is long enough to move with the wearer but compact enough to read as a single flowing line rather than a chandelier.\u003c\/p\u003e\n\u003cp\u003eThe earrings are cast in \u003cstrong\u003ebrass\u003c\/strong\u003e, a copper zinc alloy that has been the medium of subcontinental craft jewelry for centuries. Brass holds fine surface detail through casting better than many metals at this price point, which is why the calligraphic forms in Saahil retain their edge definition after finishing. The warm gold tone of brass suits the Urdu literary tradition this collection draws from: the color reads as old, considered, and legible against a range of skin tones and clothing colors. The surface is finished to a consistent satin that reduces reflection without losing the warmth of the base metal.\u003c\/p\u003e\n\u003cp\u003eThe earrings use standard hooks and hang from a single attachment point, allowing the body to move freely. The 1.4 inch length positions the base of each earring just below the lobe, visible against both short and long hair. The design is legible at a distance as an abstract drop form and at close range as a calligraphic reference.\u003c\/p\u003e\n\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e facility in \u003cstrong\u003eLahore\u003c\/strong\u003e by artisans working across metalwork and calligraphic design. \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e developed the Tere Ishq Nachaya collection to translate Urdu poetic tradition into wearable form, with each piece in the series taking its shape from a phrase rather than an ornamental convention. One pair.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e Brass\u003cbr\u003e\u003cstrong\u003eDrop Length:\u003c\/strong\u003e 1.4 Inches\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"Default Title","offer_id":47953289543922,"sku":"BR-ER-355","price":2400.0,"currency_code":"PKR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A7390.jpg?v=1760083370"},{"product_id":"nisa","title":"Nisa - Peridot and White Topaz Silver Ring","description":"\u003cp\u003eFrom the \u003cstrong\u003eSatrangi\u003c\/strong\u003e collection by \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e, Nisa pairs natural \u003cstrong\u003eperidot\u003c\/strong\u003e with \u003cstrong\u003ewhite topaz\u003c\/strong\u003e in a single ring set in sterling silver. The peridot occupies the center, its yellow green tone the dominant presence, with white topaz positioned to either side as clear accent stones that frame without competing. The name nisa means women in Arabic and Urdu, a straightforward name for a ring with a direct and unfussy design logic.\u003c\/p\u003e\n\u003cp\u003eNatural \u003cstrong\u003eperidot\u003c\/strong\u003e is a gem variety of the mineral olivine, a magnesium iron silicate that forms deep in the earth's mantle and rises to the surface through volcanic and tectonic activity. Its green color comes from iron within the olivine crystal structure itself rather than from trace impurities, which means the color is consistent throughout the stone and cannot be altered by heat treatment. Pakistan's northern highland regions in \u003cstrong\u003eKPK\u003c\/strong\u003e produce some of the world's finest peridot, with larger crystals and richer color saturation than most other global sources. The \u003cstrong\u003ewhite topaz\u003c\/strong\u003e flanking the center stone is sourced from \u003cstrong\u003eSkardu Valley\u003c\/strong\u003e in Gilgit-Baltistan, a high altitude deposit in the Karakoram range known for producing topaz with exceptional clarity. White topaz in its colorless form has a high refractive index that produces strong light return, making it an effective framing stone that adds brilliance without introducing a competing color.\u003c\/p\u003e\n\u003cp\u003eThe ring is set in sterling silver with both stones in individual prong settings that allow light to pass through each gem from multiple angles. At US size 8.5, the face width accommodates the three stone layout without crowding. The ring sits at a moderate height on the finger and works across a range of wear contexts from everyday to occasion.\u003c\/p\u003e\n\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e facility in \u003cstrong\u003eLahore\u003c\/strong\u003e. \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e sources its peridot from KPK and its topaz from Skardu directly through a supply network built over twelve years of trade in Pakistani gemstones. One piece.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStones:\u003c\/strong\u003e Natural Peridot (KPK) and White Topaz (Skardu Valley, Gilgit-Baltistan)\u003cbr\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e Sterling Silver\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e US 8.5\u003cbr\u003e\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"Default Title","offer_id":48314763903218,"sku":"MT-SL-R-185","price":34500.0,"currency_code":"PKR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A7284.jpg?v=1764310773"},{"product_id":"rangrez-1","title":"Rangrez - Natural Ruby Ring","description":"\u003cp\u003eA vibrant trio of colors inspired by the wild landscapes of the north. This handcrafted ring features a 4.25 carat Afghan ruby with a deep blood-red hue, paired with raw aquamarine and a sparkling faceted topaz, each stone celebrating its own unique character. Set in sterling silver with 24k gold plating, it’s a piece that feels organic, expressive, and full of joyful energy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e US 7.5\u003cbr\u003e\u003cstrong\u003eColor:\u003c\/strong\u003e Multi\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"Default Title","offer_id":48314830815474,"sku":"MT-SL-R-186","price":98500.0,"currency_code":"PKR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A7359_da81dbbd-e877-46b2-b033-c37092ea28d9.jpg?v=1764311012"},{"product_id":"bahaar-2","title":"Bahaar - Tourmaline and Aquamarine Silver Ring","description":"\u003cp\u003eFrom the \u003cstrong\u003eSatrangi\u003c\/strong\u003e collection by \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e, Bahaar pairs two stones that rarely appear together in a single setting: a bicolor \u003cstrong\u003etourmaline\u003c\/strong\u003e and a clear \u003cstrong\u003eaquamarine\u003c\/strong\u003e, both set in sterling silver with a 24k gold plated finish. The word bahaar means spring in Urdu, and the name holds in the color logic of the ring: tourmaline shifting between two tones in one crystal, aquamarine carrying the pale clarity of early morning light. Together they create a composition that is chromatic and considered rather than simply decorative.\u003c\/p\u003e\u003cp\u003eBicolor \u003cstrong\u003etourmaline\u003c\/strong\u003e is one of the more structurally unusual gemstones in the mineral world. Tourmaline grows as a trigonal crystal in pegmatite rock formations, and its color is determined by trace elements absorbed during growth. When the chemical environment of the host rock shifts during crystal formation, the resulting stone carries two distinct color zones within one specimen: in Bahaar, the transition runs across the face of the stone, each zone maintaining its own saturation rather than blending into the other. The aquamarine beside it is a variety of beryl, colored by iron in the crystal lattice to produce its characteristic blue green transparency. \u003cstrong\u003eAquamarine\u003c\/strong\u003e from Pakistan's \u003cstrong\u003eSkardu Valley\u003c\/strong\u003e in Gilgit-Baltistan is considered among the finest in the world, its clarity and pale saturation a direct result of the high altitude pegmatite deposits in the Karakoram range.\u003c\/p\u003e\u003cp\u003eThe ring is set in sterling silver with a 24k gold plate that bridges the warm and cool tones of the two stones. Both stones are table cut and mounted in individual settings that allow light to enter from the sides, animating the color of each stone through the day. At US size 7.5, the face sits at a moderate height on the finger, wide enough to present both stones clearly without extending beyond the knuckle. The proportions are suited to daily wear as much as occasion wear.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e facility in \u003cstrong\u003eLahore\u003c\/strong\u003e. \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e sources its aquamarine from Skardu and its tourmaline through a direct supply network built across twelve years of trade in Pakistani and Afghan gemstones. Each stone is selected individually before setting. One piece.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStones:\u003c\/strong\u003e Natural Bicolor Tourmaline and Aquamarine (Skardu Valley, Gilgit-Baltistan)\u003cbr\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e Sterling Silver with 24k Gold Plate\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e US 7.5\u003cbr\u003e\u003cstrong\u003eCollection:\u003c\/strong\u003e Satrangi\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"Default Title","offer_id":48315274297586,"sku":"MT-SL-R-191","price":48500.0,"currency_code":"PKR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A7292.jpg?v=1764311345"},{"product_id":"rang-1","title":"Rang - Natural Emerald Ring","description":"\u003cp\u003e\u003cstrong\u003eRang\u003c\/strong\u003e is a natural \u003cstrong\u003eemerald ring\u003c\/strong\u003e from the Satrangi collection by \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e. The emerald is sourced from \u003cstrong\u003eSwat Valley\u003c\/strong\u003e in Pakistan and set in handcrafted sterling silver. The stone is raw and uncut, showing the natural texture and deep green color that emerald is known for. The silver setting is made by hand at the Orah Jewels facility in Lahore.\u003c\/p\u003e\u003cp\u003eThe emerald from Swat Valley forms in the mountains of northern Pakistan. The green color comes from chromium and vanadium inside the mineral beryl. Each raw emerald looks different because the stone is left in its natural state. This ring is made for someone who wants a gemstone piece with real geological character.\u003c\/p\u003e\u003ctable style=\"width:100%;border-collapse:collapse;margin-top:16px;\"\u003e\n\u003ctr style=\"border-bottom:1px solid #e5e5e5;\"\u003e\n\u003ctd style=\"padding:8px 0;color:#888;font-size:13px;width:40%;\"\u003eStone\u003c\/td\u003e\n\u003ctd style=\"padding:8px 0;font-size:13px;\"\u003eNatural Emerald (Swat Valley, Pakistan)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e5e5e5;\"\u003e\n\u003ctd style=\"padding:8px 0;color:#888;font-size:13px;\"\u003eMetal\u003c\/td\u003e\n\u003ctd style=\"padding:8px 0;font-size:13px;\"\u003eSterling Silver\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"border-bottom:1px solid #e5e5e5;\"\u003e\n\u003ctd style=\"padding:8px 0;color:#888;font-size:13px;\"\u003eSize\u003c\/td\u003e\n\u003ctd style=\"padding:8px 0;font-size:13px;\"\u003eUS 8.5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"padding:8px 0;color:#888;font-size:13px;\"\u003eCollection\u003c\/td\u003e\n\u003ctd style=\"padding:8px 0;font-size:13px;\"\u003eSatrangi\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Orah Jewels","offers":[{"title":"Default Title","offer_id":48317374202098,"sku":"EM-SL-R-193","price":44500.0,"currency_code":"PKR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A7226.jpg?v=1764314766"},{"product_id":"zeenat-1","title":"Zeenat - Peridot Silver Ring","description":"\u003cp\u003eFrom the \u003cstrong\u003eSatrangi\u003c\/strong\u003e collection by \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e, Zeenat is a signet style ring set with a raw crystal of natural \u003cstrong\u003eperidot\u003c\/strong\u003e in sterling silver with a 24k gold plated band. The stone is left in its natural prismatic form rather than cut into a smooth cabochon, so the crystal edges and internal structure remain visible within the setting. The word zeenat means adornment or ornamentation in Urdu, and the ring earns that name through restraint: one stone, one form, the material doing the work.\u003c\/p\u003e\n\u003cp\u003eNatural \u003cstrong\u003eperidot\u003c\/strong\u003e is a gem variety of the mineral olivine, a magnesium iron silicate that forms in the upper mantle of the earth and reaches the surface through volcanic activity. Its green color is intrinsic to the mineral chemistry: unlike most gemstones where trace impurities create color, in peridot the iron within the olivine crystal structure itself is responsible for the yellow green saturation. The tone cannot be altered by heat treatment, which means every peridot appears exactly as the earth produced it. Pakistan's northern highlands, particularly the highland regions of \u003cstrong\u003eKPK\u003c\/strong\u003e, yield some of the finest peridot specimens in the world, with larger crystals and stronger color saturation than deposits found elsewhere. In Zeenat, the raw crystal form amplifies this natural character: the stone presents with visible growth geometry and internal light refraction rather than the polished uniformity of a cut gem.\u003c\/p\u003e\n\u003cp\u003eThe ring body is cast in sterling silver and finished with a 24k gold plate that warms the setting around the cool green of the stone. The signet profile keeps the face flat and wide, a format historically associated with authority and mark making. At US size 6.5, the face presents at a proportion suited to everyday wear without overpowering the hand. The raw stone height adds dimension above the band, so the ring reads differently in profile than face on.\u003c\/p\u003e\n\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e facility in \u003cstrong\u003eLahore\u003c\/strong\u003e. \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e sources its peridot through a direct supply network across Pakistan's northern mineral regions, selecting crystals by clarity and color saturation before setting. One piece.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStone:\u003c\/strong\u003e Natural Raw Peridot (Northern Pakistan highlands, KPK)\u003cbr\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e Sterling Silver with 24k Gold Plate\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e US 6.5\u003cbr\u003e\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"Default Title","offer_id":48319690768626,"sku":"PE-SL-R-194","price":34500.0,"currency_code":"PKR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A7218.jpg?v=1764314948"},{"product_id":"nayyab","title":"Nayyab - Natural Amethyst Ring","description":"\u003cp\u003eA piece that reflects the quiet elegance of nature. This ring features raw, natural amethyst set in sterling silver, showcasing the stone’s rich purple tones and organic texture. A design that feels serene, mystical, and effortlessly refined, capturing the subtle beauty of untouched gemstones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e US 8\"\u003cbr\u003e\u003cstrong\u003eColor:\u003c\/strong\u003e Purple\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"Default Title","offer_id":48320370409714,"sku":"MT-SL-R-197","price":38500.0,"currency_code":"PKR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A7316.jpg?v=1770371653"},{"product_id":"roshan-1","title":"Zahra - Ruby\/Tourmaline Ring","description":"\u003cp\u003eDiscover the artistry of Orah Jewels and Crafts with this handcrafted ring featuring raw ruby and natural tourmaline set in sterling silver. Designed as part of the Satrangi Collection, the piece captures the vibrant, ever-shifting colors of nature through uncut gemstones preserved in their organic form. The bold contrast of ruby’s deep red and tourmaline’s earthy green reflects Orah’s signature style—authentic, expressive, and rooted in Pakistan’s rich gemstone heritage. Perfect for those who love contemporary jewelry with a soulful, handcrafted touch.\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"US 7.25 \/ Silver \/ Ruby | Tourmaline","offer_id":48445201776882,"sku":"MT-SL-R-200","price":38500.0,"currency_code":"PKR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A7202.jpg?v=1764315793"},{"product_id":"shimshal","title":"Shimshal - Natural Ruby Earrings","description":"\u003cp\u003eExperience the artistry of Orah Jewels and Crafts with these stunning earrings, featuring natural aquamarine paired with raw ruby, set in sterling silver with 24k gold plating. Handcrafted by skilled artisans, this design reflects the vibrant color play that defines the Satrangi Collection. Inspired by Pakistan’s ever-changing skies, each piece blends organic beauty with refined elegance. Perfect for those who appreciate unique, gemstone-driven jewelry, these earrings embody Orah’s commitment to craftsmanship, authenticity, and timeless design.\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"2.7 Inches \/ Silver \/ Aquamarine | Ruby","offer_id":48445200892146,"sku":"MT-SL-ER-365","price":74500.0,"currency_code":"PKR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A7025.jpg?v=1764316423"},{"product_id":"mahgul","title":"Mahgul - Amethyst and Emerald Silver Earrings","description":"\u003cp\u003eFrom the \u003cstrong\u003eSatrangi\u003c\/strong\u003e collection by \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e, Mahgul is a pair of drop earrings that set raw \u003cstrong\u003eAmethyst\u003c\/strong\u003e alongside natural \u003cstrong\u003eEmerald\u003c\/strong\u003e in oxidized sterling silver. The pairing is deliberate. The violet weight of the amethyst against the vivid green of the emerald produces a contrast that reads as bold without requiring scale. Both stones are left close to their rough state, so the surfaces catch light unevenly rather than uniformly.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eAmethyst\u003c\/strong\u003e comes through \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e sourcing network, selected for depth of violet saturation. Amethyst is a macrocrystalline variety of quartz in which iron impurities within the silica lattice produce violet coloration through iron substitution and natural irradiation over geological time. The stones in this pair carry a medium to deep violet that holds under indoor light without shifting toward gray. The \u003cstrong\u003eEmerald\u003c\/strong\u003e is sourced from the \u003cstrong\u003eSwat Valley\u003c\/strong\u003e in \u003cstrong\u003eKPK\u003c\/strong\u003e, where deposits occur in mica schist rather than the more common carbonate host rock. Swat emeralds form when chromium and vanadium bearing hydrothermal fluids infiltrate the schist at depth, producing beryl crystals with the saturated green the valley has been known for since the Mughal period. Orah cuts Swat emerald at its own lapidary facility in \u003cstrong\u003eLahore\u003c\/strong\u003e. In this pair, the emerald is shaped to preserve natural inclusions that confirm origin.\u003c\/p\u003e\u003cp\u003eMahgul drops to 1.4 inches, sitting at the jaw line without becoming structural. The oxidized silver setting carries a matte finish that lets the rough stone surfaces read as the primary element rather than the metal. The ear wire is plain sterling silver. The piece works alone or alongside a plain metal ear cuff on the opposite ear.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in \u003cstrong\u003eLahore\u003c\/strong\u003e, Pakistan. The amethyst was selected by Orah team for saturation; the emerald was cut from Swat rough in house. 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The mother of pearl carries the soft, shifting luminescence of the sea, while the lapis arrives in the dense, saturated blue that ancient Mughal craftsmen ground into pigment for their finest miniatures. Set in sterling silver with \u003cstrong\u003e24K gold plating\u003c\/strong\u003e, the inlay work on each earring recalls the decorative geometry of \u003cstrong\u003eSheesh Mahal,\u003c\/strong\u003e a deliberate nod to the craft traditions that define Lahore. At 4 inches, Nilofer makes a statement that is architectural in scale and considered in every detail.\u003c\/p\u003e\n\u003cp\u003eThis is a piece for someone who understands that jewelry is not decoration but a declaration. \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e sources both stones directly ,lapis from Badakhshan, pearl from the Makran Coast, and every pair is assembled by hand at our Lahore facility by artisans who have worked with gemstones for years. The 24K gold plating over sterling silver gives Nilofer a warmth that neither white nor yellow metal alone can produce. Each pair is singular: the stone configurations are not identical, because natural stones never are. 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Swat's emeralds are characterized by a warm, saturated green with a slight yellow undertone that is distinct from the cooler green of Zambian material and the more evenly saturated green of Colombian stones. The chromium and vanadium together in Swat material produce a color that shifts between saturated green and a deeper, almost forested tone depending on the light source, which means the necklace reads differently outdoors versus indoors. Uncut stones in Dastan retain the natural surface of the beryl crystal, including the slight surface irregularity and the inclusions that a lapidary would polish out or cut around, these are the features that establish the stone as genuinely natural and genuinely from this origin. 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That iron produces the bright, warm green that defines Kohistan peridot, a color that sits between the yellow-green of lower-iron material and the forest green of chromium-bearing stones. It is peridot at its most characteristically itself, the color not pushed toward any other stone's register. Uncut stones in Koyal show the crystal formation directly: the slight angular outline of olivine crystal habit, the surface variation in tone across each stone's face, and the way light enters the stone at the natural planes rather than at the angles a cutter would impose. Because no two stones are identical in outline or exact surface character, the pair of earrings are matched for size and overall color rather than being exact duplicates. The stones were selected at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore for visual consistency as a pair.\u003c\/p\u003e\u003cp\u003eThe wire setting is simple and allows the stone to move freely at the full drop length of 3.2 inches. The earrings are light despite their length, the silver minimal, and the stone doing all the visual work at distance. They read clearly from several feet away in both natural and artificial light.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Peridot from \u003cstrong\u003eKohistan, KPK\u003c\/strong\u003e, natural and uncut. 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The lazurite mineral within the calcium carbonate host produces a blue of such depth and opacity that it was the basis for ultramarine pigment, the most coveted blue in European painting for centuries before synthetic alternatives were developed. In a geometric cut and inlay setting like Safa, the flat face of the stone presents an uninterrupted color field, any pyrite inclusions reading as fine gold detailing within the blue surface rather than surface irregularities. The angular form of the setting also creates a different silhouette from the rounded and organic forms typical of cabochon or rough-set lapis jewelry. The stone was cut and shaped at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore with the surface calibrated to sit exactly flush within the silver frame.\u003c\/p\u003e\u003cp\u003eThe earrings drop 1.5 inches and are compact enough for daily wear. The geometric form works particularly well with structured clothing, the angular lines of the stone setting reading as an intentional design choice rather than simply a material decision. The silver frame is polished and the inlay sits level with the surface on both earrings so the pair reads consistently.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Lapis from \u003cstrong\u003eBadakhshan, Afghanistan\u003c\/strong\u003e. One pair.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStone:\u003c\/strong\u003e Natural \u003cstrong\u003eLapis Lazuli\u003c\/strong\u003e (Badakhshan, Afghanistan)\u003cbr\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e Sterling Silver\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 1.5 inches drop\u003cbr\u003e\u003cstrong\u003eCollection:\u003c\/strong\u003e Rani\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"Default Title","offer_id":48611534274802,"sku":"LL-SL-ER-331-OM","price":42000.0,"currency_code":"PKR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A0129_cbc2933f-8fa3-4416-a59d-a12fe0c55623.jpg?v=1766752960"},{"product_id":"sang","title":"Sang - Natural Lapis Lazuli Silver Ring","description":"\u003cp\u003eFrom the \u003cstrong\u003eRani\u003c\/strong\u003e collection by \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e, a ring where the design language is architectural rather than organic. \u003cstrong\u003eSang\u003c\/strong\u003e presents a geometric silver form inlaid with \u003cstrong\u003eLapis Lazuli\u003c\/strong\u003e from \u003cstrong\u003eBadakhshan, Afghanistan\u003c\/strong\u003e, the stone cut flat and set flush within the frame so the surface of the lapis and the surface of the silver lie in the same plane, neither raised above the other.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLapis Lazuli\u003c\/strong\u003e from \u003cstrong\u003eBadakhshan\u003c\/strong\u003e has been the world's most significant source of this stone for over six millennia. The lazurite mineral within the calcium carbonate matrix produces a blue of unusual depth and opacity that no other natural material replicates, making it the stone of choice for inlay work across every major ancient civilization in its trade radius. When used in a geometric inlay setting as in Sang, the flat face of the stone reads as a color field rather than a textured object, the blue becoming an even, uninterrupted plane within the silver frame. Any pyrite inclusions within the cut piece appear as fine gold details within that blue field, not as surface irregularities but as part of the color composition itself. The stone was cut and shaped at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e lapidary in Lahore, where the flat face was calibrated to sit precisely within the silver setting without gaps or height differential.\u003c\/p\u003e\u003cp\u003eThe geometric setting is cast in silver and polished smooth, the inlaid stone occupying the central face of the design. The ring is adjustable around US size 7.5, the band open at the back to allow for minor size variation. The design works from a top-down reading angle, the flat face of the stone and frame visible without requiring the piece to be lifted or tilted.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Lapis from \u003cstrong\u003eBadakhshan, Afghanistan\u003c\/strong\u003e. 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The mineral lazurite within the calcium-rich matrix produces the stone's defining blue, a color that cannot be replicated in any other natural gemstone and that historically commanded prices comparable to gold by weight. Raw, uncut lapis shows the stone as it comes from the mine: the blue not yet equalized by a lapidary's polishing, the slight variation in intensity and texture across the surface still present, the pyrite flecks still at the angles the crystal set them rather than smoothed into a uniform sparkle. The stone selected for Zeenat was inspected at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore for depth and evenness of color before setting.\u003c\/p\u003e\u003cp\u003eThe bezel is low and fitted to the perimeter of this specific piece of rough, so the ring is individual rather than produced from a template. At US size 8, the stone centers on the finger with presence and the silver band is plain and rounded, contributing nothing visually beyond the security of the setting.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Lapis from \u003cstrong\u003eBadakhshan, Afghanistan\u003c\/strong\u003e. 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The iron in these stones produces a bright, grassy green with a warmth that is characteristic of Kohistan material as opposed to the more subdued, yellowish green of lower-altitude sources. Uncut stones preserve the natural formation surface, with the slight angular character of olivine crystal growth still visible in the outline of each piece. Because each stone in Begum is individual, the bracelet has a rhythm of slightly varying greens across the wrist rather than a uniform repeat, the variation coming from each stone's specific iron distribution and surface orientation. The stones were sourced directly from \u003cstrong\u003eKohistan\u003c\/strong\u003e and assembled into the bracelet's linked structure at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore.\u003c\/p\u003e\u003cp\u003eThe loop construction gives the bracelet flexibility and movement on the wrist, each element shifting slightly as the hand moves, the stones catching light from different angles as they reorient. At 9 inches, the bracelet fits with some room to move, not tight against the skin. The weight is distributed across the full length, so no single area presses down on the wrist.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Peridot from \u003cstrong\u003eKohistan, KPK\u003c\/strong\u003e, natural and uncut. One piece.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStone:\u003c\/strong\u003e Natural \u003cstrong\u003ePeridot\u003c\/strong\u003e (Kohistan, KPK)\u003cbr\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e Sterling Silver\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 9 inches\u003cbr\u003e\u003cstrong\u003eCollection:\u003c\/strong\u003e Rani\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"Default Title","offer_id":48611546693874,"sku":"PE-SL-B-334-OM","price":85500.0,"currency_code":"PKR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A0373.jpg?v=1766753486"},{"product_id":"serena","title":"Serena - Natural Peridot Silver Necklace","description":"\u003cp\u003eFrom the \u003cstrong\u003eRani\u003c\/strong\u003e collection by \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e, a necklace made from individually formed elements rather than a standard chain. \u003cstrong\u003eSerena\u003c\/strong\u003e is assembled from handmade silver links, each one set with a natural uncut piece of \u003cstrong\u003ePeridot\u003c\/strong\u003e from \u003cstrong\u003eKohistan, KPK\u003c\/strong\u003e, the stones distributed across the full 14-inch length so the green is present throughout the piece rather than concentrated at a pendant.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePeridot\u003c\/strong\u003e from \u003cstrong\u003eKohistan, KPK\u003c\/strong\u003e forms in the ultramafic igneous rock of one of Pakistan's most geologically active districts, where the olivine-rich mantle environment produces the iron content that gives peridot its color. Kohistan peridot is characteristically bright and grassy, the iron at concentration levels that push the green toward the warm, saturated end of the spectrum rather than the pale yellow-green of lower-iron material. Uncut stones retain the original crystal surface of the olivine formation, each piece slightly different in outline and surface texture, which in a necklace like Serena means the green of each individual link element reads with slight variation in tone and character as the necklace lies on the body. No two pieces are identical, and the 14-inch construction means this variation is continuous across the collarbone. The stones were sourced by \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e directly from \u003cstrong\u003eKohistan\u003c\/strong\u003e and each element assembled by hand in Lahore.\u003c\/p\u003e\u003cp\u003eThe necklace sits at 14 inches, falling at or just above the collarbone on most body types. The individually handmade links give the piece movement and flexibility that a rigid setting cannot achieve, the necklace conforming to the body as it is worn. The silver is bright and polished, the green of the peridot reading clearly against it.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Peridot sourced from \u003cstrong\u003eKohistan, KPK\u003c\/strong\u003e. One piece.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStone:\u003c\/strong\u003e Natural \u003cstrong\u003ePeridot\u003c\/strong\u003e (Kohistan, KPK)\u003cbr\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e Sterling Silver\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 14 inches\u003cbr\u003e\u003cstrong\u003eCollection:\u003c\/strong\u003e Rani\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"Default Title","offer_id":48611547807986,"sku":"PE-SL-NL-335-OM","price":125000.0,"currency_code":"PKR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A0086_5377d840-b377-426b-81e4-68b278c90109.jpg?v=1766753727"},{"product_id":"sahiba","title":"Sahiba - Natural Lapis Lazuli Silver Ring","description":"\u003cp\u003eFrom the \u003cstrong\u003eRani\u003c\/strong\u003e collection by \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e, a ring where the stone does all the work. \u003cstrong\u003eSahiba\u003c\/strong\u003e holds a raw piece of \u003cstrong\u003eLapis Lazuli\u003c\/strong\u003e from \u003cstrong\u003eBadakhshan, Afghanistan\u003c\/strong\u003e in a plain silver wire setting, the stone uncut and unpolished so its natural surface and the depth of its blue are presented without any lapidary intervention between the stone as it came from the earth and the stone as it sits on the finger.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLapis Lazuli\u003c\/strong\u003e from \u003cstrong\u003eBadakhshan\u003c\/strong\u003e is among the oldest gemstone material in continuous human use. The Sar-e-Sang mines in Afghanistan's Badakhshan Province have supplied stone to every major ancient civilization within trade reach, from Egypt to Rome to the Indus Valley, for more than 6,000 years. The blue is produced by lazurite, a complex sulfur-bearing mineral within the sodalite group, which forms in marble-like calcium carbonate rock at high altitude. The best Badakhshan material has a deep, even blue with pyrite inclusions that read as fine gold flecks, and minimal white calcite veining. A raw stone preserves all the surface character of how the mineral actually formed: the slight irregularity of its outline, the variation in blue intensity across the surface, and the natural granular texture of the stone rather than the glassy smoothness of a polished piece. This is lapis as geologists and traders have known it for millennia, before the lapidary's wheel changes it.\u003c\/p\u003e\u003cp\u003eThe wire setting is minimal and adjustable around the stone, the ring designed to accommodate size variation around US 7.5 with some flex. The stone sits low, the silver presents only enough frame to hold the piece securely, and the overall profile is close to the finger.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Lapis sourced directly from \u003cstrong\u003eBadakhshan, Afghanistan\u003c\/strong\u003e. One piece.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStone:\u003c\/strong\u003e Natural \u003cstrong\u003eLapis Lazuli\u003c\/strong\u003e (Badakhshan, Afghanistan)\u003cbr\u003e\u003cstrong\u003eMetal:\u003c\/strong\u003e Sterling Silver\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e US 7.5 (adjustable)\u003cbr\u003e\u003cstrong\u003eCollection:\u003c\/strong\u003e Rani\u003c\/p\u003e","brand":"Orah Jewels","offers":[{"title":"Default Title","offer_id":48611558588658,"sku":"LL-SL-R-336-OM","price":28500.0,"currency_code":"PKR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0500\/6183\/6439\/files\/3Y3A0158.jpg?v=1770371550"},{"product_id":"mehrunisa","title":"Mehrunisa - Mother of Pearl and Lapis Lazuli Gold Plated Necklace","description":"\u003cp\u003eFrom the \u003cstrong\u003eRani\u003c\/strong\u003e collection by \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e, a necklace that works from both sides. \u003cstrong\u003eMehrunisa\u003c\/strong\u003e is crafted in silver with 24K gold plating, the central piece reversible: one face set with luminous \u003cstrong\u003eMother of Pearl\u003c\/strong\u003e from \u003cstrong\u003eGwadar, Makran Coast\u003c\/strong\u003e, the other with deep blue \u003cstrong\u003eLapis Lazuli\u003c\/strong\u003e from \u003cstrong\u003eBadakhshan, Afghanistan\u003c\/strong\u003e, the inlay work on both faces polished to a flat finish so the stones sit flush and even within the gold-toned frame.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMother of Pearl\u003c\/strong\u003e is the nacre layer from the interior of mollusc shells, built from alternating submicroscopic plates of aragonite and protein. The iridescence it produces, shifting from white to cream to rose depending on viewing angle and light source, is a structural optical phenomenon called thin-film interference, not a surface coating or pigment. The \u003cstrong\u003eGwadar, Makran Coast\u003c\/strong\u003e source provides shell with a consistent nacre layer and a warm iridescence that distinguishes it from colder Pacific shell material. On the reverse, \u003cstrong\u003eLapis Lazuli\u003c\/strong\u003e from \u003cstrong\u003eBadakhshan\u003c\/strong\u003e operates in the opposite register entirely: opaque, saturated, and deep, absorbing light rather than redirecting it. The gold plating of the silver frame reads warmly against both the iridescent white of the mother of pearl and the royal blue of the lapis, unifying a reversible piece that otherwise presents two entirely different materials. The inlay was executed at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore.\u003c\/p\u003e\u003cp\u003eThe necklace sits at 14 inches, higher than the collarbone on most body types, framing the neck rather than the chest. The piece has significant presence given its size, the dual-material construction giving it weight proportional to its visual impact.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Mother of pearl from \u003cstrong\u003eGwadar\u003c\/strong\u003e, lapis from \u003cstrong\u003eBadakhshan\u003c\/strong\u003e. 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The mines at Sar-e-Sang in Badakhshan Province of Afghanistan are the same mines that supplied ancient Egypt, Mesopotamia, and the Indus Valley civilizations with the stone they used for seals, inlay work, and ground pigment for ultramarine paint. The blue is produced by lazurite, a sulfur-bearing member of the sodalite mineral group, within a matrix of white calcite and black graphite with pyrite flecks that appear gold. The finest Badakhshan material has a deep, even saturation with minimal white calcite veining, the pyrite distributed evenly rather than concentrated. The stone cut and shaped for Shehzaadi at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e lapidary in Lahore was selected for depth and evenness of color across all the geometric pieces so that the necklace reads as one continuous field of blue rather than a collection of mismatched pieces.\u003c\/p\u003e\u003cp\u003eThe silver framework is polished, the lapis inlaid flush and level. The necklace has weight and presence on the neck, substantial enough to feel like an ornament but balanced so it does not pull forward. At 18 inches, it sits just below the collarbone, accessible to most necklines.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Lapis from \u003cstrong\u003eBadakhshan, Afghanistan\u003c\/strong\u003e, natural and unenhanced. 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The finest material from Badakhshan carries a saturated, even blue with gold flecks of pyrite distributed through the matrix, the pyrite inclusions acting as the only interruption in an otherwise unified field of color. The geometric forms used in Sultanah bring out a different quality of lapis than rounded or rough-cut stones do: the flat, even surface of each geometric piece reads as a color field rather than a textured object, so the bracelet has a graphic clarity across the wrist. The stone was cut and shaped at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore, where each piece was sized and calibrated to fit the silver settings precisely before inlaying.\u003c\/p\u003e\u003cp\u003eThe silver cuff is smooth and rounded at the edges, the inlay work flush so there is no raised lip on the stone surfaces. At 8.5 inches, the piece fits comfortably with some movement on the wrist rather than sitting pinned. The weight is substantial and immediately noticeable, which matches the visual weight of a bracelet this size.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Lapis sourced from \u003cstrong\u003eBadakhshan, Afghanistan\u003c\/strong\u003e. 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The mineral lazurite within the calcium-rich matrix produces the deep blue that has no equivalent in the natural gemstone world, an opaque, absorbing color that does not reflect light the way transparent stones do but rather holds it. The \u003cstrong\u003eEmerald\u003c\/strong\u003e set beside it is faceted to amplify exactly the opposite quality: chromium in beryl produces a green that intensifies through faceted internal reflection, brightening as light enters and exits the cut surfaces. Placing these two stones together creates a composition where one stone deepens and one brightens, both within the cool range of the spectrum but operating in entirely different optical registers. The stones were sourced directly through \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e' Lahore-based supply network and set by hand.\u003c\/p\u003e\u003cp\u003eThe silver band is plain and slightly tapered, the two bezels sitting close together so the stones read as a pair rather than two independent features. At US size 7.5, the ring fits mid-finger and the stone cluster spans comfortably without overreach. The polished silver does not compete with the stones visually.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. 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In its raw state the crystal retains the surface of formation: slightly translucent where thin, deeply red where the chromium concentration peaks, and with the angular outlines of hexagonal crystal growth still present rather than the smooth curves of a cut stone. \u003cstrong\u003eRose Quartz\u003c\/strong\u003e acquires its soft pink from microscopic inclusions of dumortierite within silicon dioxide, which produce a milky, scattered light rather than a clean color. The two stones share the red-pink chromatic range but through entirely different physical structures, one hard and directional, one soft and diffuse. On the wrist they create a composition that has movement and contrast without requiring any additional design element. The stones for Kubra were matched for scale and approximate shape at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e lapidary in Lahore so the bracelet reads consistent rather than random.\u003c\/p\u003e\u003cp\u003eThe silver frame is shaped to follow the wrist, the settings open to show the full sides of each stone where possible. At 7.4 inches, the bracelet fits with room to move, not pinned flat against the skin. The overall weight is significant but not uncomfortable for extended wear.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Ruby and rose quartz from Afghanistan, natural and raw. 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In its raw state, as used in Noorbanu, the crystal retains the original surface texture of formation, including natural planes and internal light play that a polished or faceted surface would eliminate. \u003cstrong\u003eRose Quartz\u003c\/strong\u003e carries its soft pink from microscopic fibrous inclusions of dumortierite within the silicon dioxide structure, which scatter light internally and produce the stone's characteristic cloudy, diffused color rather than a clean transparent pink. Together, the two stones occupy the pink-red spectrum from opposite directions, ruby warm and dense, rose quartz pale and scattered, the pairing producing a depth that neither stone could achieve alone. The stones in Noorbanu were selected for scale and shape compatibility so that the pair reads as intentional, not accidental.\u003c\/p\u003e\u003cp\u003eThe earrings drop 3.5 inches, long enough to be visible when the hair is down and significant when worn with an updo. Despite the length, the stones are light and the silver minimal, so the earrings do not pull at the ear lobe. The movement of the stones when worn adds to the overall presence of the piece.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Raw ruby and rose quartz sourced from Afghanistan, natural and unenhanced. 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It absorbs light rather than reflecting or refracting it, reading as solid color at any viewing angle. The \u003cstrong\u003eEmerald\u003c\/strong\u003e beside it is faceted specifically to take advantage of the opposite optical property: beryl with high chromium content produces a green that brightens and intensifies when cut to allow light entry and internal reflection. Setting a faceted emerald next to a rough lapis produces a pairing where one stone gives and one holds, one lit and one deep. The contrast is not decorative, it is material. Both stones were sourced through \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e' direct supply network and set by hand in Lahore.\u003c\/p\u003e\u003cp\u003eThe earrings drop 1.5 inches, compact enough for daily wear but with enough stone surface to carry color clearly. The silver setting is minimal, a wire and small bezels, so the two stones are the entire visual content. They work best with plain necklines where the color combination is uncompeted.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. 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Afghan ruby from \u003cstrong\u003eBadakhshan\u003c\/strong\u003e tends toward a warm, slightly pinkish red rather than the pure blood red of Burmese material, and the raw form preserves the crystal's original surface, its slight translucency visible where the stone is thinner. \u003cstrong\u003eRose Quartz\u003c\/strong\u003e beside it carries a soft, milky pink from fibrous dumortierite inclusions or trace titanium distributed through silicon dioxide, the color diffuse and cloudy rather than saturated. The combination reads as a conversation between heat and softness, the hard deep red of the ruby against the pale dusty pink of the quartz, both stones occupying the same pink spectrum but from completely different geological contexts. The irregular silver connectors between them echo the asymmetry of the stones rather than correcting for it.\u003c\/p\u003e\u003cp\u003eThe necklace falls at 16 inches, the stones distributed along the front so several are visible at the collarbone at any given position. The piece is substantial and reads as a statement from across a room while remaining light enough that the weight is not felt after the first hour of wear.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Both stones natural and raw, sourced from Afghanistan through our direct supply network. 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The uncut form used in Zeb retains the surface character of the rough: not polished smooth, not shaped to any preset outline, but left with the natural planes and slight irregularity of the original crystal. This means each earring's stone catches light at the facets and planes that nature set rather than those a cutter imposed. The stones were sourced directly from \u003cstrong\u003eSwat Valley\u003c\/strong\u003e through \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e' supply network and inspected for color consistency and structural integrity in Lahore before being set.\u003c\/p\u003e\u003cp\u003eThe wire setting is simple and unobtrusive, the stone suspended so it drops 2.4 inches from the ear. The earrings are light enough for extended wear despite the length, the stone doing the visual work while the silver remains subordinate. They work well against both light and dark fabric, the green reading clearly in all lighting conditions.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Emerald from \u003cstrong\u003eSwat Valley, KPK\u003c\/strong\u003e, natural and uncut. 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Swat emerald's character is warmth and depth, a green that reads saturated under daylight and shifts toward richness in artificial light. Uncut stones preserve the original crystal surface, including the slight irregularity of each piece's outline that makes a bracelet like Takht look assembled from nature rather than standardized in a mold. No two stones in the bracelet are identical in size or exact surface texture, which means the bracelet has a visual rhythm across the wrist rather than a mechanical repeat. The stones were selected for chromatic consistency at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore so the green reads coherent even though each stone is individual.\u003c\/p\u003e\u003cp\u003eThe silver cuff is smooth and slightly curved to follow the wrist, the settings low-profile so the stones sit proud of the surface without snagging. At 7 inches, the piece fits a standard wrist with a small gap at the back. The bracelet has enough weight to be felt but is not heavy in the way a solid cuff would be.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Emerald sourced from \u003cstrong\u003eSwat Valley, KPK\u003c\/strong\u003e, natural and unenhanced. 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The blue is produced primarily by lazurite, a complex sulfur-bearing mineral within the sodalite group, and the finest material from Badakhshan produces the deep, saturated blue with flecks of gold pyrite that defines the stone's character. The \u003cstrong\u003eAquamarine\u003c\/strong\u003e beside it comes from pegmatite veins in \u003cstrong\u003eSkardu Valley\u003c\/strong\u003e, a geologically distinct environment where beryl forms at high altitude under different pressure conditions than lapis, producing a stone that is transparent, pale, and internally lit in a way that is the direct opposite of lapis's opacity. Together on the neck, the two stones read as the full range of blue rather than two competing versions of it.\u003c\/p\u003e\u003cp\u003eThe silver settings are minimal, each stone held in a simple bezel so the stones carry the visual weight rather than the metalwork. The necklace sits at 16 inches, falling at the collarbone where the stones lay flat and remain readable from a distance. The chain is fine and does not add visual bulk.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Both stones are natural, uncut, and untreated. Lapis from \u003cstrong\u003eBadakhshan\u003c\/strong\u003e, aquamarine from \u003cstrong\u003eSkardu\u003c\/strong\u003e. 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Swat emerald's green is warm and saturated, leaning toward the forest end of the spectrum rather than the blue-green of Zambian material or the cool brightness of some Brazilian stones. This stone has been left uncut to preserve the natural surface character. The fractures and growth planes visible within it are not flaws but evidence of the formation conditions under which it grew, millions of years of heat and pressure recorded in the crystal. The stone was inspected and selected at \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e in Lahore.\u003c\/p\u003e\u003cp\u003eThe floral setting is cast in silver, the petal forms slightly irregular in a way that reads as handmade rather than machined. The stone sits low within the flower, the ring profile compact and close to the finger. At US size 6.25, the piece sits centered on a smaller hand without overreach. The overall width is moderate, the design delicate without being fragile.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Emerald sourced from \u003cstrong\u003eSwat Valley, KPK\u003c\/strong\u003e, natural and untreated. 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The valley sits at a junction of the Eurasian and Indian tectonic plates where intense heat and pressure created the metamorphic schist formations in which Swat's emeralds formed. The green in Swat emerald is produced by chromium and vanadium within the beryl crystal structure, the same mechanism as Colombian emerald but expressed here in a slightly warmer, more verdant tone that is distinct from African material. Uncut stones in Zunaira retain the hexagonal crystal habit of beryl, their surfaces showing the natural fracture patterns and growth striations of formation rather than the geometry of a lapidary. Each stone carries a slight variation in saturation, so the pair is not identical but complementary. The stones for this ring were cut and inspected at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e lapidary in Lahore before setting.\u003c\/p\u003e\u003cp\u003eThe two stones sit in adjacent bezels on a plain silver band, the settings level and close, neither stone elevated above the other. The total surface reads wide and confident on the finger without the height of a solitaire. At US size 7, the stones span across but do not extend past the knuckle line. The silver finish is polished.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Emerald sourced directly from \u003cstrong\u003eSwat Valley, KPK\u003c\/strong\u003e and verified natural, no heat treatment. 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Unlike emerald where chromium produces a saturated green, aquamarine's iron produces a blue that ranges from faint sky to deep sea depending on the concentration and oxidation state of the iron present. The stones that come out of \u003cstrong\u003eSkardu Valley, Gilgit-Baltistan\u003c\/strong\u003e are among the most geologically significant in the world, forming in pegmatite veins at elevation in one of the youngest and most tectonically active mountain systems on earth. The Skardu aquamarine character is a light, clear blue with high transparency, and the rough form of the stone used in Shireen retains the hexagonal prismatic outline that defines beryl's crystal habit, so you are looking at the actual shape the mineral takes when forming, not a shape imposed by cutting.\u003c\/p\u003e\u003cp\u003eThe silver bezel is fitted precisely to the perimeter of this individual piece of rough, which means no two Shireen rings are set identically. The band is plain and slightly rounded, the bezel low so the stone reads as resting rather than mounted. At US size 7, the stone sits centered without height, the whole profile close to the finger.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Aquamarine sourced directly from \u003cstrong\u003eSkardu Valley, Gilgit-Baltistan\u003c\/strong\u003e. Natural, uncut, untreated. 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Surrounding it are accents of \u003cstrong\u003epink sapphire\u003c\/strong\u003e, small and precisely set, that pull the composition together into something cohesive and quietly dramatic. The pairing works because both stones share a color family but speak in entirely different registers, the quartz soft and diffuse, the sapphires sharp and refractive.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRose Quartz\u003c\/strong\u003e is a variety of macrocrystalline quartz colored by trace amounts of titanium, iron, or manganese, or by microscopic inclusions of a pink borosilicate mineral called dumpelite. Its color is rarely uniform, it deepens toward the core and fades at the edges, giving each stone a gradient that no lapidary can replicate through cutting. The uncut form used in Afsana preserves this natural gradient entirely. The stone in this ring was sourced through \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e' direct network, selected for density of color and surface quality.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003epink sapphires\u003c\/strong\u003e that ring the quartz center are corundum, the same mineral family as ruby, colored here by chromium and iron in a proportion that produces a warm, saturated pink rather than the cooler tones of lighter sapphires. They are faceted small and set close, designed to frame rather than compete. The silver band is cast with a slightly elevated crown setting that lifts the quartz center and gives the ring a dimensional quality visible even from a distance.\u003c\/p\u003e\n\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in \u003cstrong\u003eLahore\u003c\/strong\u003e by artisans trained in traditional setting techniques. Stones sourced through Orah's direct gemstone network across Pakistan and beyond. 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The silver setting frames both without mediating between them.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRose Quartz\u003c\/strong\u003e is a variety of quartz colored by microscopic inclusions of fibrous dumortierite or by titanium and iron traces distributed through the silicon dioxide lattice, which produces the characteristic soft, cloudy pink rather than the transparent color of faceted quartz. The uncut form used in Gulnaz preserves the original surface character of the rough, where light enters the stone and scatters through the internal inclusions rather than refracting cleanly, giving the stone a glow that faceting would eliminate. \u003cstrong\u003eGarnet\u003c\/strong\u003e beside it operates entirely differently. The most common varieties draw their deep red from iron and manganese within the silicate structure, and when faceted they produce a brilliance that amplifies their color through internal reflection. The contrast in surface finish between the two stones is the design. One is matte and diffuse, one is sharp and internally lit.\u003c\/p\u003e\u003cp\u003eThe setting holds the rose quartz in a low open bezel, the garnet stones in smaller tight settings on either side. The ring profile is rounded and compact, sized at US 6.5, which places the stones centrally on the finger without spreading past the knuckle edges. It works as a standalone piece or alongside a plain band on the same hand.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Both stones are natural, unenhanced. 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This stone was cut at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e lapidary in Lahore, where the proportions of the cut were determined by the actual dimensions of this individual rough piece rather than applied from a standard template. The rhodium finish on the silver preserves the surface and adds a cool white tone that sharpens the peridot's green by contrast.\u003c\/p\u003e\u003cp\u003eThe branch form is sculpted in relief, the silver surface textured to suggest bark without becoming decorative in a way that competes with the stone. The ring works wide but lies flat, the structural form creating visual weight without adding physical mass. At US size 7.5, the piece occupies the upper knuckle space confidently.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore. Peridot sourced directly from \u003cstrong\u003eKohistan, KPK\u003c\/strong\u003e and cut in-house. Rhodium plated sterling silver. 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The \u003cstrong\u003eSapphire\u003c\/strong\u003e grounds the composition with blue depth, its color produced by trace amounts of iron and titanium within the corundum crystal lattice.\u003c\/p\u003e\u003cp\u003eThe ring design is flat and architectural. Three stones sit in silver bezels that share a continuous band, the metal work polished rather than textured so it does not compete with the surface activity of the stones. It sits close to the finger, reads wide but not heavy, and works in proportion on most hand sizes. At US size 7.5, the stone cluster spans the full width of a finger without overhanging either side.\u003c\/p\u003e\u003cp\u003eMade at the \u003cstrong\u003eOrah Jewels\u003c\/strong\u003e facility in Lahore by artisans who work directly with stone sourced through our Pakistan supply network. The three stones in this ring are all natural, none treated or synthetic. 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Made at \u003cstrong\u003eOrah Jewels and Crafts\u003c\/strong\u003e in Lahore, this bookmark combines a polished amazonite gemstone with steel metalwork and traditional geometric patterns. The amazonite is sourced from Gilgit-Baltistan in northern Pakistan and shows the soft blue green color that this stone is known for.\u003c\/p\u003e\u003cp\u003eAmazonite is a variety of feldspar mineral that forms in granite rocks. The blue green color comes from lead inside the mineral structure. The stone is cut and polished at the Orah facility in Lahore. The calligraphy and geometric patterns are worked by hand on the steel surface. 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